Sunday, 8 June 2014

RESEARCH ACTIVITY: CUBISM

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Diploma visual Arts: Art History & Theory

MODERN ART RESEARCH ACTIVITY: CUBISM
*Copy & paste this worksheet into a new MS Word document. 

NAME……………………………………………………...

Using best “practice of research” and at least three resources from both academic and non-academic sources (tip: use TAFE online eResources). Ensure to record all details about each resource for a reference list.
Research and answer the questions below.

Background…

1.     Using the TAFE eResources “Art and Architecture Complete”, search and find a resource that discusses Cubism.
Type your reference here in Harvard style: for example:

Monash University, 2012, Citing and Referencing, Harvard Referencing Guide, http://guides.lib.monash.edu/content.php?pid=346637&sid=2835365 viewed 9 June 2014


2.     Using your academic text plus other credible, non-academic resources, answer the following:

What dates did the Modern Art movement “Cubism” occur within?


3.     Name the two artists who developed the Cubist style. (full name)
1.
2.

4.     The ‘Structural Frame’ represents elements that make up a work of art. Elements can include colour, composition, symbolism, form, materials, line, space, tone/value and texture. Explain how Cubism looks different from real life and make reference to four stylistic characteristics of cubism. Use full sentences.
Explain: 
5.     Find an example of an image and insert an example of a cubist painting below that will exemplify your answer.
6.     How Cubism began. Proto Cubism is the name given to the movement preceding Analytical Cubism.
Research and make a visual map of events that have influenced Cubism.


7.     Look at the painting “Les Demoiselles d’Avignon” by Pablo Picasso, 1907, oil on canvas.
 
Type your answers using full sentences to the following:
  
·     a. Picasso was influenced by his contemporaries; he had a professional relationship with Henri Matisse and was very interested in Cezanne’s paintings. How do you see these influences manifesting in ‘Les Demoiselles d’Avignon’? Give specific examples with reference to the elements within the painting. (eg: treatments of form, space, line, colour, tone, etc…)

·      b. What cultures influenced Picasso to paint this work? How do these influences manifest in the painting?


·      c. What reaction did this painting receive when it was first viewed?


·      d. Why is this painting so important in Modern Art history?


8.     Analytical Cubism. Copy & paste an image of an Analytical Cubist painting below. Include an annotation. (title, date, medium, artist)

9.     Explain what Analytical cubism is and how the artists treated their subjects and artworks. What were they exploring or wanting to achieve? (use your own words)


10.  Synthetic Cubism. Copy & paste an image of a Synthetic Cubist painting below. Include an annotation. (title, date, medium, artist).

11.  Explain what Synthetic cubism is and how the artists treated their subjects and artworks. What were they exploring or wanting to achieve? (use your own words).

12.  What two new characteristics help define Synthetic Cubism from Analytical?


13.  Analytical or Synthetic? Label each picture as either analytical cubism or synthetic cubism.  Bonus awarded for correctly labeling the artists. 





 

14.  REFERENCE LIST


Type your Harvard style reference list below. (TIP: use the hyperlink  to Monash University guide to writing a Harvard reference list at the beginning of the questionnaire).



Questions adapted from Great Teaching Resources: The Arts, http://great-teaching-resources.wikispaces.com/The+Arts, viewed 9 June 2014

How to analyse an artwork

HOW TO ANALYSE AN ARTWORK
If you follow the order and aspects given on this sheet you will have comprehensively analysed a painting.

Note that not all the aspects are suitable to comment on for every painting. Select the aspects that seem most appropriate.

1.  Recording the painting details
    (your notes should always state painter, title and date)                                                
     Name of Painter: 
     Title of the Work:  
     Date it was painted:
     Size : 
     Medium : 
     Stylistic Period:

2. Describe the subject / theme. (describe the subject and content. Explain ideas the artist is expressing, underlying themes & background about the work.)

3.  Composition (describe the organisation of objects and/or figures within the painting. Focal point, foreground, middle ground, background; symmetry / asymmetry; methods of leading the eye around the work; effects created by compositional devices.))

4.  Space/Depth. Perspective, overlapping of objects; effects created by the use of these devices (eg: depth of field).
                                                                                                                       
5.  Colour. (describe the colour palette used, how are cool / warm colours used; effects of the colours.)

6.  Light
(Describe the direction of light. Light source, is there chiaroscuro? Is the light atmospheric / how do you know?)
  
7.  Form and Effects
(describe the use of line, tonal modelling, hatching, direction of line, rendering and the effects these elements produce. Eg: static of moving forms?)

8.  Technique
      (describe the technical processes. Eg: etching type, rough, smooth, quality of materials, application of medium, support, layering, etc…) research this if you don’t know.

 9.  Context (known through research and knowledge of style) research the social & historical; geographical, cultural; ideological and religious context (background) of this artwork. Comment on: how these factors are reflected in the artistic style of the artist.


10. Record  your comments on the process of seeing and drawing the master’s image.

Questionnaire adapted from: Ormond, B, 2014,How to analyse a painting’, University of Aucklandhttp://artsonline2.tki.org.nz/documents/ah6analyse.docviewed 30 March 2014-03-30